Access unlimited music from anywhere! (not free, but well worth it!)

Screen shot 2010-10-18 at 3.55.31 PM Up until a few days ago I'd never tried an online subscription-based music service, mostly because I couldn't conceive that it would be worth $10 a month (which is the typical price for these kinds of services). However, the other day my friend Al turned me on to a service called MOG.com

I signed up for the 14 day free trial and then downloaded the free iPhone app. MOG allows you to listen to music on your computer using a web browser, or on your iPhone via the MOG app (it also works with the ROKU TV box). Intuitively, I realized it would be very nice to be able to have access to almost any song in existence. However, experiencing this directly almost brought me to my knees with joy.

Ideally, I would like to have a music service that offers the following: (1) access to the widest possible selection of music; (2) the ability to discover new music easily based on music that I already know; and (3) the ability to access this music from virtually anywhere, at any time. The MOG music service provides this in spades.

MOG gives me access to all the artists that already exist in my purchased library of music, in addition to significantly more artists. MOG says that they have 8 million tracks available, but the number seems limitless to me. What really sets MOG apart is the ability to discover new music easily. Obviously, since I'm paying a flat monthly fee I'm encouraged to listen to as much music as possible.

MOG makes it easy to discover new music in a couple of different ways. First, the search function works exactly the way that Google does; that is, you can simply type in the name of an artist, song or album (or any combination) and find what you're looking for very quickly. For example, if you type in “stones waiting” you'll quickly find a link to the Rolling Stones song entitled Waiting On A Friend.

MOG also has a unique tool called MOG radio, which is fundamentally just a dedicated playlist that only play songs by a particular artist. But, what makes this even more interesting, is that you can use a special slider that lets you populate the playlist with other artists who sound like the focal artist. In other words, if I listen to Steely Dan radio I can adjust the slider so that an increasing mix of other artists who sound like Steely Dan are included in my playlist.

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This is a great way to find new music based on music that you're already familiar with. This features is available in the web browser version, and in the iPhone app.

I was curious about the iPhone app (MOG also works with Android phones), wondering whether it would work well when I wasn't in a Wi-Fi hotspot. It works great at home, without any fault whatsoever. But that's because my house is blanketed with Wi-Fi. So I took the iPhone app for a spin in my car to see if it would drop out when I was using only the 3G service. I drove around New Orleans for about an hour doing various errands and not once did I lose my connection to the MOG service. Incidentally, the iPhone app works perfectly with Apple headphones; that is, you can pause the music by clicking once or advance to the next song by double clicking quickly.

Because MOG is so reliable, and because it is available to me pretty much anywhere I go, I have decided that this is a service I'm willing to keep paying for. After all, I probably spend at least $10 a month to buy music. If I can have all the music I would ever want available to me anywhere, why would I even want to own it? Of course, you are allowed to download music if you like so that you have it permanently on your computer hard drive or iPhone. I have downloaded a few songs just to see how this works, but the reality is I don't care about the music on my iPhone unless (for some reason) I can't access the Internet.

MOG allows you to create playlists if you like, and those playlists are available to you from any device that you log into on. I haven't spent much time creating playlists, and probably won't do that until I get more used to using the service. My friend Al expressed dismay that he had used a service called Lala where he built up a bunch of playlists, only to lose them all when Apple took over the company and shut it down. I doubt that will happen with MOG. Still, I'll wait a while before I invest time creating playlists.

In case you're wondering, you can only login from one device at a time. So, if your computer is logged into MOG when you login with your iPhone app it will log you out of the computer version. The service costs $9.99 per month but that's only if you want to use the iPhone app as well as the computer browser. If you want to log in from just your computer then it only costs $4.99 per month. That's a pretty good deal!

If you want more information about MOG click on this link. I'd check out the 14 day free trial and see if it works for you. You might be surprised like I was.

 

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Music homework

Okay in today's assignment, you are (using any available computer) to log on to the Internets. Then see if you can locate the song called Barack Obama by Reggae artist Cocoa Tea. Hint: you might want to check for it on Apple's iTunes.

For extra points (and great enjoyment) you should download it and listen to it in its funkified entirety.

That is all.

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Hey music business! What up?

Picture_1 Seth Godin's thoughts on the mistakes made in the music business is spot on.  Apple is one company that has actually benefited from the switch to digital music, or so they say. That seems right.  When I bought my first iPod, about four years ago, I had an 'Ah ha!' moment.  I re-discovered my love for music, an epiphany that paved the way for me to switch my computing life completely to Apple.  Yes, Apple completely understands our love for digital music. 

Or does it?

A few weeks ago my brother visited me from Panama.  One of his goals was to buy an iPod and open an account on the iTunes music store.  He already had an iPod that I'd given him, and which I had loaded up with all my music.  Even though the iPod had 40 GBs of tunes he quickly became dissatisfied.  He wanted to buy his own music.  But, because Apple doesn't allow people in Panama to use the iTunes music store, he had to resort to using illegal services like Limewire.  While it was free, he wasn't satisfied because the quality of the files he acquired wasn't always good, and it was too cumbersome to transfer the music to his iPod.  He wanted to buy music legally, but he simply couldn't do it.

So I set him up with an account that has my U.S. based credit card.  Now he can buy music (which I pay for, although he claims he'll pay me back).  :)  And so now he's happy. He says he's re-discovered his love for music.  Too bad his friends in Panama (or the rest of Central and South America) can't do the same.

Meanwhile, as my brother was buying a new iPod nano, I was buying a satellite radio. It was an impulse purchase so I really had no idea how much I would like it. The quality of the sound is great, and I now have a steady stream of new music pouring into my house. I am absolutely blown away.  As soon as I hear something I like I walk over and look at the display to find out who the artist is and the song name.  At first I was tempted to buy every new song I liked, but I kept myself in check.  Why buy the music?  I already own lots of music.  As long as I'm hearing lots of new stuff I'm perfectly happy.  As long as I'm in the United States, that is.

The satellite radio won't work in Panama when I go down there to visit my brother.  Oh well, maybe one day the music industry will be all smoothed out and we'll be able to have our music wherever and whenever we want to.

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How death came to visit the music industry

Picture_1_2 Dick Morris is a big player in the music industry, but like many music executives he had no vision  whatsoever (or maybe it was lack of initiative).  Wired Magazine explained that he liked to "rail against criminal-minded college students and low-life punks who steal the music that his artists work so hard to create."  But he "admits to being fairly ignorant about technology" insisting that his job was to nurture the creative side of the business.

Yep, and Nero's job was to fiddle while the flames rose.  What a stupid statement: Complain about what you don't control, while you say that the one thing you could control is completely incomprehensible to you. No wonder the music industry is in shambles.  But, I am glad. 

If there are two words that don't belong together it's "music" and "industry."

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Easy online listening. Maybe too easy.

Simplify Media purports to make your iTunes library available to you (or any of your 'friends') online.  And it works with both Macs and PCs. 

How well does it work?  Not sure because I haven't tried it, but if it works too well it might face a legal challenge.  And if the online music service suffers death-by-litigation then perhaps someone say (paraphrasing Othello) that Simplify Media connected people with music --"not wisely, but too well."

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New Orleans music - A national treasure

King_louie Jazz Fest brings some amazing acts to town, which results in a lot of spur-of-the-moment jam sessions.  Like the one that John Mayer describes in this great article (in which he says he likes Jazz Fest precisely because he can stretch out and be a musician rather than a 'pop star').  Back when the Talking Heads were still together I remember seeing David Byrne standing among the throngs at Tips checking out a local band.  And that was just on some random weekend, not during Jazz Fest.

Anyway, Jazz Fest 2007 is officially over and so all of the out-of-town musicians have left.  But that hasn't diminished the output of great music here one iota.  New Orleans is always overflowing with great musicians.  Hell, a lot of them perform on street corners.  Dan Baum's post about Loose Marbles gives the background on a group that I've often run into while strolling in the French Quarter. 

Stumbling across bands like Loose Marbles is one reason I'd find it hard to ever leave New Orleans.  Dan Baum also has a great post about the O. Perry Walker Band Trip, which provides an inspiring peek into how we produce our great musicians. New Orleans may not be at the forefront of business and industry. But it's the premier breeding ground for every form of jazz music, and has been for a very long time

Even colossal disasters can't take that away from us.

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Jazz Fest 2007

The weather was great for the first weekend of Jazz Fest.  On Saturday, Becky and I rode our bikes from Uptown and toward the end of our 6 mile trek, as we were huffing along the Jeff Davis path, Phil Radecker came up behind me.  "Get out of the way Svenson," he said while maneuvering around me like a man on a mission.  Last October Phil's mission was enduring chemo treatments for Non-Hodgkins Lymphoma.  He's fine now and obviously focused on returning to a balanced life, which in New Orleans means attending Jazz Fest.  As soon as we parked our bikes, Phil put on his special shirt, bid us goodbye and made his way into the crowd. 

Becky and I had no formal battle plan, but we did have a pocket sized program.

Jon Cleary and Rockin' Dopsie were at the Acura stage, which is where we met up with Ray Abadin, a law school classmate who practices law in Miami but comes to Jazz Fest every year with his wife Kim for musical redemption and spiritual rekindling. We also met Mike the Fireman from Chicago who comes here every year.  I didn't see this guy, but I know he was somewhere in the throng.

One of the greatest moments this year was on the opening Friday.  They held a jazz funeral for Ed Bradley, the reknowned reporter for 60 Minutes, and a longtime fan of the Fest.  The funeral was attended by Bradley's widow, Jimmy Buffet, Rita Coolidge and other musicians.  An official memorial to Bradley will now be a permanent part of the yearly event, as it should be.

This morning I went to the Camellia Grill for breakfast.  To my happy surprise there was a notice on the window that Harry Tervalon was back for a two day appearance.  I met a woman in the line who had come to town to do volunteer work for a couple of weeks (and, of course, go to the Fairgrounds to hear some great music). She said her employer back in California was happy she could come to help out for a few weeks. She seemed pretty happy about it too.

Last year's festival brought a lot of wonderful people to town, but it seems like this year the good vibes are even stronger.  Maybe we're further down the road than we realize.  The Army Corps of Engineers is still struggling, but apparently the "Corps of Mindlessly Joyful Dancers" seem to be doing quite well:

 

   

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New Orleans' Jazz Festival will rock, swing, juke and jive..

The New Orleans Jazz Fest schedule is up for this year, and it includes some major headliners such as Van Morrisson, Steely Dan, Brad Paisley, Norah Jones, Counting Crows, and Harry Connick, Jr.  The Fest takes place over two weekends: April 27 - 29 and May 4 - 6.  Check the official website for more information.

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Music Recommendation - Free Monica

When I was at the Louisiana State Bar meeting in Destin, Florida I had a chance to hear two acoustic guitar players named Ben Friedman and Kyle LaMonica.  Their band is called Free Monica and they have a website and, of course, a MySpace site where you can hear a few songs from their latest CD, Egoliath (what a great name!).  Listen to Leave the Light On.  It's sort of haunting and, for some reason, it resonates for me in some weird way.  The whole CD is great; if you get a chance to hear these guys live (you'll have to be in Destin) then jump at it.

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Legal Guitarist - Doc Schneider

Doc Schneider is a great litigator and a great guy.  He's also an excellent guitarist and songwriter.  I got a copy of his CD a few years ago and have enjoyed it tremendously.  Just today I found out he has a website and you can check out his songs (download them, even) free of charge (but you should buy his CD from CD-baby if you can).  Choices and Chances is a great song, but I know a lot of lawyers will like Legal Guitarist too.  Doc lives in Atlanta, but travels around the country practicing law.

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Jazz Fest Lineup Announced

The N.O. Jazz Fest is going to take place on two weekends this year: April 28 - 30 and May 5 - 7.  The announcement of artists was released today, and it appears that Dave Matthews, Jimmy Buffet, Paul Simon, Keith Urban and Bob Dylan will be among the big-name acts that will be appearing.  Obviously, the real draw is all the local talent that will be on hand.  Fats Domino comes to mind, along with others too numerous to mention.

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The musical baton was passed to me

Ray Ward has passed me the musical baton.  He asks the following questions:

  • what is my total volume of music
  • what is the last CD I bought
  • what song is playing right now
  • what five songs do I listen to a lot because they are special to me
  • five people I'm passing the musical baton to

I'm going to respond, but in an extended post, so feel free to click on the 'continue reading...' link if you want to read my responses.

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Chris Cortez CD-Release Party this Saturday

My good friend Chris Cortez is having his CD-Release party this Saturday night at Dos Jefes Cigar Bar here in New Orleans. His new CD is called 'Mum is the Word' and features some catchy originals and  some covers like "Everyday I Have The Blues, Georgia On My Mind, Sweet Georgia Brown."   The CD has already gotten a 5 star rating from eJazz News.

The festivities kick off at 9:30.  Chris is going to have a killer 6 piece band that promises to rock the house.  Admission is free, and there will be lots of cool prizes and giveaways, including some of his new CDs.  His old stuff is available at Apple's iTunes Music Store at this link (requires that you have iTunes installed on your computer) if you want to check out what his stuff sounds like. Check it out and then come to Dos Jefes and look for me in the back.

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My friend Chris Cortez' album is on iTunes

His last album, Hold It Right There, is now available on iTunes Music Store. (my top song recommendations? Benny's from Heaven, Hold It Right There, and All Right, Ok, You Win).  His next album, Mum's The Word, is being released at the end of this month, and hopefully it will be available on ITMS soon too. 

Chris is a really wonderful musician, but he depends on the kindness of quasi-strangers (i.e. people who hear him play live) to make an immodest living.  His records are completely self-produced, so please give a listen and, if you like what you hear, buy his stuff and then relentlessly recommend it to friends and strangers.  I think it's really great that he has managed to get visible on Apple's music site.  Hopefully, it will lead to more people discovering his music.  He's someone who really deserves a wider audience.

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Listen to Chris Cortez on WWOZ

My friend Chris Cortez is going to be on New Orleans' local radio station WWOZ this Friday (tomorrow).  He'll be playing  his guitar from 6 - 8 pm CST on Friday Nov. 19th.  You can listen in on their web stream if you aren't in New Orleans.  He'll be playing with my friend Vincent (guitar) and a great percussionist named John Wooton; and he will certainly play some stuff from his new album Mum's the Word.  Definitely check it out.

And check out WWOZ anytime if you want to hear great New Orleans music.  WWOZ is one of those rare independent music stations that we all need to nurture in any way we can.  Hey, Jazz Fest only happens once a year and you've got to come here to enjoy it.  WWOZ is on all the time and you can listen to it from anywhere in the world if you have an internet connection.

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Music Recommendation: Maroon 5

My sister-in-law is in town visiting along with her sister, Michelle.  We've had fun listening to music at my official new neighborhood bar (Dos Jefes), and in the course of one of our conversations Michelle told me about a band I'd never heard of: Maroon 5.  She said I had to listen to She Will Be Loved (iTunes Link) and she was right.  Great song!  The next day another friend of mine emailed me to tell me that her new favorite song is Sunday Morning, also by Maroon 5. 

I can't believe I hadn't heard of this band before.  Oh well, that's what friends are for.

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Social Software, Music & Laptop Karaoke – a Musing in G# Major

Using technology to collaborate in new ways has been a hot topic for years. My work E-mail program is called 'Groupwise.' It's mostly used in our firm as an E-mail program, but you can see that Novell intended for it to be a more robust collaborative tool than just email. These days you hear the term 'social software' bandied about a lot. People are still trying to create applications that allow workers to share information. But workers are busy trying to hoard key information (not share it), or they are trying to learn the basic shortcuts for simple tasks that they do everyday (quick test: how many people know what ALT+TAB is a shortcut for?) and don't have time or motivation to learn about 'social software.'

Meanwhile, in the non-work environment social software is taking off. For example, Napster was one of the most successful social software applications ever written. Why is that? Was it because the application interface was easy to understand? Was it because Napster spent a lot of money on advertising and user-training?

No, it was because Napster allowed people to get free music from other people on the Internet. People like music, and they like free music even more (it's why people used to listen to the radio, before it became...well, completely useless). But, the free music boondoggle is mostly over now. Napster was shut down and then transformed into a for-pay service that's not doing so well (surprise, surprise!). KaZaa flourished but then the RIAA started filing lawsuits and the software became a Petri dish for spyware and pop-ups, all of which combined to make the music-sharing experience there not worth the trouble. One bright spot occurred when Apple created the iTunes Music Store, which made it easy to get music easily at a reasonable cost over the Internet.

So is the 'Social Software' boon of music over? Who knows? Certainly the free music file-sharing era is on the downcycle. But what about the fun (and perfectly legal) act of recommending music to your friends? The Internet could somehow still be good for this, right?

[if you are reading this in a news reader there is more to this post; if you are reading this at my website click below on 'continue reading...']

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